The Stronger Pull
Let yourself be silently drawn by the stronger pull of what you really love.
Rumi(13th Century Persian Mystic on Creativity)
Every piece of wood is a mystery. Sometimes the mystery is less as we work with debarked and smooth boards, but often it is a wonder as bark is removed and color and texture are revealed. We are also a solitary people most of the time, working alone to uncover the secrets of a piece of wood, itself a mysterious thing created to enrich the world.
This sense of mystery itself generates a sense of wonder and of love. That love may be one for creation itself embodied in the amazement of the wood, or an expression born of oneself for the recipient of the piece. That recipient may not even be known to us. It may be a buyer or for that matter the receiver of the gift the buyer has gotten. Yet there can be a love that reaches out to the unknown person, themselves part of God's creation.
Sometimes of course the person is known and the love is obvious. But what of the time when the person for whom the piece is destined is known but not loved in the classic sense? Then is there not a love for the wood, for the work, and for the integrity of creation that fills the piece? Or is this something to be sought, time and again?
Every piece of wood is a mystery. Sometimes the mystery is less as we work with debarked and smooth boards, but often it is a wonder as bark is removed and color and texture are revealed. We are also a solitary people most of the time, working alone to uncover the secrets of a piece of wood, itself a mysterious thing created to enrich the world.
This sense of mystery itself generates a sense of wonder and of love. That love may be one for creation itself embodied in the amazement of the wood, or an expression born of oneself for the recipient of the piece. That recipient may not even be known to us. It may be a buyer or for that matter the receiver of the gift the buyer has gotten. Yet there can be a love that reaches out to the unknown person, themselves part of God's creation.
Sometimes of course the person is known and the love is obvious. But what of the time when the person for whom the piece is destined is known but not loved in the classic sense? Then is there not a love for the wood, for the work, and for the integrity of creation that fills the piece? Or is this something to be sought, time and again?
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